33 tips for writing for the web

During a meeting today someone said “writing for the web is easy, just use proper English!” Sadly, we all shook our heads and replied that no, writing for the web often means breaking the rules that you’ve learned through so many grammar lessons and style guides.

Below are some rules for better web and interface writing, courtesy of Jakob Nielsen and my own interactive product design experience. These are my strong opinions, weakly held – please post comments, corrections, and disagreements at the end of this article.

Here’s Jakob’s why we break the rules for better results. In summary, people scan web pages and apps instead of reading them word by word.

Create scannable text by using:

  1. the inverted pyramid style, starting with the conclusion, then supporting information, then background / framework.
  2. half the word count (or less) than conventional writing. Users read 20% of the words (28% at most). Total % read drops as word count increases.
  3. highlighted keywords (links and bold).
  4. meaningful sub-headings (not “clever” ones).
  5. bulleted lists.
  6. 1 idea per paragraph, in the first few words.

Here are some more “writing for the web” tips from Jakob:

  1. Users scan instead of reading (though new ereaders, e.g. the iPad seem to buck this trend).
  2. Best online content is linear, reader-driven, actionable content composed of specific, comprehensive data. Fragments trump sentences.
  3. Write numbers as integers (1) instead of text (one). It’s better to use “23″ than “twenty-three” to catch users’ eyes when they scan Web pages for facts, according to eyetracking data.
  4. Your headline text gets 40-60 characters of attention. It must stand on its own and make sense when the rest of the content is not available.

More rules for writing for the web

These are my own basic style rules, based on ad hoc experience (and therefore shakier than Jakob’s).

Design interfaces for hormonal, ADD-addled adolescents. “What would the NY Post do?” Think tabloids, not novels.

  1. 1 action per page.
  2. 1 idea per paragraph. This typically means 1 sentence per paragraph, sometimes 2. A 4-sentence paragraph is almost always too long.
  3. Numbers, not words.
  4. Lists, whether numbered or bulleted, are your friend.
  5. People look at photos first, especially photos of people.
  6. It’s better to display nothing than default images or filler text.
  7. Semicolons are almost never okay.
  8. Short lines of text are easier to read. Lines of text generally shouldn’t be longer than 34 ems long. (An “em” is generally equal to the height of the typeface – it’s a measurement based on the width of the letter M at the text’s current size.)

You’re always better minimizing visual emphasis. Focus on using fewer words, so they aren’t all competing for the reader’s attention.

  1. You can center 1 piece of information per page. Centering breaks a design grid and thereby becomes the most important thing on the page.
  2. Stick with bold for emphasis.
  3. Don’t present text in all caps unless you know the reader will stop – it destroys the letterforms. Sentence case is best. Possible exception – small words in buttons.
  4. Italics are almost never a good idea. Italic sans-serif is a typographic foul and italics generally distort letterforms too much for pixelated screens. Stick with bold. If you need a backup, try changing your emphasis style to display a highlight color on the text rather than italicizing it.
  5. Use bold sparingly. Words, not sentences.
  6. Don’t use bold, italics, and/or caps together on the same word.

Links are often the victim of “form before function” design thinking. Keep links visible!

  1. Use a very different color from the text.
  2. Include verbs in links.
  3. Include the destination page title in the link.
  4. If you hide everything else on the page, the reader should still know what the link will point to by reading the link text.

Grammar for teh internets:

  1. Log in is a verb. Login is a noun. Same with sign in, back up, etc. You almost always use the verb form.
  2. A lot is always 2 words except when it’s a verb, which is probably not what you mean. Remember it this way: “a pound, a bunch, a lot.”
  3. “It’s” is the contraction, “its” is the possessive pronoun. Possessive pronouns never have apostrophes: his, hers, its.
  4. When creating possessive nouns, use “‘s” for singular nouns, even if they end with s, e.g. “my dog’s collar is silver” or “Chris’s tutorial is helpful.” The latter is optional in some books, but if you always do it this way (“‘s”) you’ll avoid some crazy coding whenever you have to build an interface that creates a possessive noun from dynamic values like usernames. Put an apostrophe after the s if the noun is plural and ends in s, e.g. “the 7 dogs’ collars were all silver.”
  5. 1 space after periods, not 2. Too much spacing creates visual “rivers” of whitespace within large blocks of text.
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Reposting web prodman resources

I have been a product manager long enough that I’ve begun to frame much of my world view in prodman terms – just this past weekend I spent an afternoon cruising the aisles of a supermarket, searching for foodstuffs and thinking “and this is exactly why folksonomies trump hierarchical taxonomies!” (if this sounds interesting, check out Clay Shirky’s eloquent missive on the topic). I also spend a enough time rereading books, training new prodmen, and thinking about product management, product design, etc., that I’ve built small libraries, both online and off, and am beginning to lose track of things.

Enter the Web Product Manager Resources page, my list of useful stuff to read if you’re a prodman.

If you have any recommendations for additions to this list, please let me know. I’d like for it to be comprehensive but not crufty.

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Zappos CEO Tony Hsieh’s best interview question

The NY Times recently interviewed Zappos CEO Tony Hsieh. Most of the published conversation focuses on building a good corporate culture.

When asked for his best interview question, Tony offered this:

What would you say is the biggest misperception that people have of you?

Really good one. I usually ask “if I called someone who reported to you at your last gig, how would they describe you?” I used to explicitly require 3 good things and 1 criticism, but once or twice I forgot to set that criteria and quickly learned hear how many people start with something critical when left to their own devices.

Tony’s question is likely to elicit even more information, as he explains:

It’s a combination of how self-aware people are and how honest they are. I think if someone is self-aware, then they can always continue to grow. If they’re not self-aware, I think it’s harder for them to evolve or adapt beyond who they already are.

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